Fashion Week Recap: The Best of Cruise/Resort 2026
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Time to read 5 min
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Time to read 5 min
Fashion never ceases to be a grand visual feast every single time and this season, we’re treated to a very glamorous seasonal interlude. Breathtaking Cruise and Resort 2026 collections from the most notable designers in the industry finally graced the runways and I’m pretty sure fashion enthusiasts are all left in awe. The 2026 Cruise/Resort shows that were recently released were full-blown theatrical and full of pieces that can be worn in your most extravagant vacation events — a true jet-set dream that’s part spectacle, part storytelling, but an absolute transportive fashion experience!
It’s not quite easy to narrow every collection down to which ones are the best but as I’ve scoured through the biggest fashion authorities, style insiders, as well as what fashion mavens are saying on social media, these 4 Cruise and Resort collections are inarguably the most immersive, artistic, and luxurious. Here’s your front-row seat view as we do a recap of the best Cruise/Resort 2026 shows.
Dior’s Creative Director Maria Grazia Chiuri’s Dior Cruise 2026 was a reflection of her patronage of arts, with the show becoming a visual ode to Renaissance fashion, but with an obvious touch of modern self-expression. The show was hosted at the newly restored Villa Albani Torlonia, with the garden staged to feature mid-century elements that made the ensembles even more ethereal.
Vogue described the collection as a “living-archive glamour” as it blends Fellini’s La Bella Confusione with modern feminine armor. The drapey silhouettes and decadent sheer fabrics contributed to the indulgent aesthetic of the collection.
Mood and Vibe:
Dramatic & delicate color palette: ghostly white, taupe, and ivory.
Structured & tailored jackets
Cascading ruffles & delicate lace details
Louis Vuitton’s Cruise 2026 show is filled with geometric abstracts and color. And while the ensembles initially have a festive, colorful vibe, it’s still apparent how the structures and silhouettes of the ensembles reflect medieval-like pieces. Nicolas Ghesquière’s direction for this specific collection is a medieval-meets-rock saga that was a captivating masterpiece. Staged at the Palais de Papes, a UNESCO Heritage site, LV’s Cruise 2026 echoed the tones and decorative details of the papal chambers.
For Ghesquière, holding the Cruise show in such a historic setting isn’t just about fashion, but more about contributing to a broader cultural dialogue. In his view, these destination presentations align perfectly with Louis Vuitton’s ever-expanding presence in the creative world, bridging style with art and luxury experience.

Mood and Vibe:
Opulent jackets with heraldic symbols and geometric details
Tiered fabrics and architectural fabric details
Elizabethan sleeves and medieval-style capes
Hermès took center stage at Shanghai’s most fascinating North Bund, where creative director Nadège Vanhee-Cybulski unveiled a collection that felt both grounded and future-facing. At its core? Pieces designed with movement and transformation in mind, comparable to the core elements of equestrian fashion.
Fashion insiders, including Vogue, praised the smart, adaptable tailoring and the details didn’t go unnoticed either! From precise buckles to layered straps, there were clear nods to the house’s rich equestrian history without ever feeling costume-like. This was functional fashion at its most refined, where every layer served a purpose and still looked entirely luxe.
Mood and Vibe:
Leather power: sleek and luxurious
Showcased Mini Kelly’s versatility and timelessness
Deep, sultry hues
Last but definitely not the least, is the regal 2026 Resort Collection of Max Mara. To give homage to the golden sophistication of 50s Italian cinema, it’s only fitting for the show to be set in a venue as grand and lavish as Reggia di Caserta. Creative Director Ian Griffiths drew inspiration from Italy’s golden age of cinema, infusing Max Mara’s Resort 2026 with the glamour of mid-century film icons and the charm of Neapolitan elegance. The collection nodded to legends like Sophia Loren and Silvana Mangano, blending Old Hollywood allure with sharply tailored, wearable silhouettes.
Vogue affectionately dubbed it “Vesuvian Venus,” a fitting phrase for the mix of structured short-shorts, soft camel tones, and heritage prints pulled from E. Marinella’s archives. With Gwyneth Paltrow and Emma Stone watching from the front row and the warm grandeur of a southern Italian palace behind them, the show effortlessly merged nostalgic beauty with modern, luxurious ease.
Mood and Vibe:
Sharp and sophisticated: edgy blazers, tailored shorts
Cinematic ensembles featuring Fedora-style jackets
Nostalgic and vintage
Without a doubt, these 2026 Cruise and Resort collections were a true masterclass in fashion expression, art, and storytelling. Each motif weaves seamlessly with the clothing pieces, making them a solid interpretation of the stories they want to convey. Each collection spoke volumes of grandeur and craftsmanship, as what we all expect from the world’s most iconic fashion brands.
Beyond their runway stakes, these shows signaled fashion’s hunger for narrative depth, heritage reboot, and cross-generational dialogue. They remind us: that in a world craving both nostalgia and innovation, the hottest trend is a good story—woven into seams, sculpted into shapes, and stamped onto memory.
Dior’s dreamy drama: Ethereal silhouettes and Renaissance romance took over Villa Albani Torlonia.
LV’s gothic fantasy: Medieval opulence met bold geometry at the historic Palais des Papes.
Hermès’ smart elegance: Functional, modular designs brought equestrian fashion into the now.
Max Mara’s cinema nod: 1950s Italian glamour came alive at the majestic Reggia di Caserta.
Storytelling reigned: Each collection became a narrative masterclass dressed in couture.
It captured the spirit of Renaissance art with modern femininity—think draped sheer fabrics, soft tailoring, and romantic lace against a historic Roman backdrop.
With a medieval twist. Nicolas Ghesquière mixed heraldic jackets, Elizabethan sleeves, and dramatic silhouettes to create a runway fit for a fashion knight.
It was all about movement and transformation—convertible leather pieces, sleek silhouettes, and equestrian elegance that worked for city life.
Ian Griffiths channeled golden-age Italian cinema, blending sharp tailoring with nostalgic charm in a venue that felt like a film set.
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